From the war-ravaged streets of Sarajevo, where turning up for training involved dodging snipers' bullets, to the crumbling splendour of Budapest's Bozsik Stadium, where the likes of Puskas and Kocsis masterminded the fall of England, the landscape of Eastern Europe has changed immeasurably since the fall of communism. Jonathan Wilson has travelled extensively behind the old Ir...(展开全部)

“A sequel to The Social Network” —The New York Times “Deeply reported and beautifully written” —Nick Bilton, Vanity Fair reporter Award-winning reporter Sarah Frier reveals the never-before-told story of how Instagram became the most culturally defining app of the decade. In 2010, Kevin Systrom and Mike Krieger released a photo-sharing app called Instagram, with one simple but ...(展开全部)

“A sequel to The Social Network” —The New York Times “Deeply reported and beautifully written” —Nick Bilton, Vanity Fair reporter Award-winning reporter Sarah Frier reveals the never-before-told story of how Instagram became the most culturally defining app of the decade. In 2010, Kevin Systrom and Mike Krieger released a photo-sharing app called Instagram, with one simple but ...(展开全部)

Poirot returns to the scene of his very first crime to solve a mystery that will be his last.

Poirot returns to the scene of his very first crime to solve a mystery that will be his last.

圧倒的迫力のシリーズ最終巻！ 炎上する矯正施設から間一髪で脱出した紫苑とネズミはそれぞれの思いを胸に、最後の闘いに挑む。崩壊する聖都市ＮＯ．６、その先に広がる新たな世界とは--。

圧倒的迫力のシリーズ最終巻！ 炎上する矯正施設から間一髪で脱出した紫苑とネズミはそれぞれの思いを胸に、最後の闘いに挑む。崩壊する聖都市ＮＯ．６、その先に広がる新たな世界とは--。

Behind the Glass takes its title from Alexandra Catiere’s series shot in Minsk and Moscow in 2005-2006. Curated and designed by Chose Commune, this book brings together photographs from this early unpublished series with additional selected images. Included is a new set of photograms; the artist’s latest camera-less experiments composed of light, sensitized paper, pebbles and g...(展开全部)

The Roman author Pliny tells the story - well known in the Renaissance - of the famous Greek painter Apelles hiding behind one of his pictures to overhear the comments of spectators. Martin Kemp takes this motif as an effective point of entry into the problem of what lies behind the business of picture-making in the Renaissance, in particular the role of the artist and the func...(展开全部)

'Don't talk bunk ' said Mr Douglas. 'You can't carry on with the show with a man dying on stage. Drop the curtain ' When Douglas B. Douglas - leading light of the London theatre - premieres his new musical extravaganza, Blue Music, he is sure the packed house will be dazzled by the performance. What he couldn't predict is the death of his star, Brandon Baker, on stage in the mi...(展开全部)